{"version":"1.0","provider_name":"Patrick Autr\u00e9aux","provider_url":"https:\/\/www.patrickautreaux.fr\/en","author_name":"Patrick Autr\u00e9aux","author_url":"https:\/\/www.patrickautreaux.fr\/en\/author\/patrick-autreaux\/","title":"Cubo di Gabo &#8212; Patrick Autr\u00e9aux","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"qFe9oLmWtS\"><a href=\"https:\/\/www.patrickautreaux.fr\/en\/publications\/cubo-di-gabo\/\">Cubo di Gabo<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.patrickautreaux.fr\/en\/publications\/cubo-di-gabo\/embed\/#?secret=qFe9oLmWtS\" width=\"600\" height=\"338\" title=\"&#8220;Cubo di Gabo&#8221; &#8212; Patrick Autr\u00e9aux\" data-secret=\"qFe9oLmWtS\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.patrickautreaux.fr\/en\/wp-content\/uploads\/2016\/12\/gabriele_dal_dossocubo_di_gabo_prototype4_0.jpg","thumbnail_width":960,"thumbnail_height":960,"description":"Sur les \u0153uvres de Gabriele Dal Dosso La sculpture a l\u2019apparence d\u2019un volume euclidien, d\u2019un cube ou de quelque autre poly\u00e8dre. Elle ne laisse pas deviner l\u2019efflorescence qu\u2019elle contient. L\u2019amorce. C\u2019est toujours l\u2019amorce que l\u2019on guette pour s\u2019engager \u00e0 traquer ce qu\u2019on pressent et qui \u00e9chappe encore. L\u2019amorce est ici une ar\u00eate, qu\u2019il suffit d\u2019ouvrir [&hellip;]"}